GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.


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GIOTTO di Bondone Lamentation over the Dead Christ oil


Lamentation over the Dead Christ
Painting ID::  30389
Lamentation over the Dead Christ
mk68 Fresco Padua Arena Chapel c.1306 Italy
mk68 Fresco Padua Arena_Chapel c.1306 Italy
   
   
     

GIOTTO di Bondone Madonna in Majesty oil


Madonna in Majesty
Painting ID::  30392
Madonna in Majesty
mk68 Tempera on wood Florence,Uffizi Early Italian.
mk68 Tempera_on_wood Florence,Uffizi Early_Italian.
   
   
     

GIOTTO di Bondone Lamentation over the Dead CHrist oil


Lamentation over the Dead CHrist
Painting ID::  30947
Lamentation over the Dead CHrist
mk68 c.1306
mk68 c.1306
   
   
     

GIOTTO di Bondone Madonna in Maesta oil


Madonna in Maesta
Painting ID::  33243
Madonna in Maesta
mk83 c.1310
mk83 c.1310
   
   
     

GIOTTO di Bondone The Devils Cast our of Arezzo oil


The Devils Cast our of Arezzo
Painting ID::  33297
The Devils Cast our of Arezzo
mk86 c.1296-1297 Fresco Assisi San Francesco Upper Church
   
   
     

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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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